Scenery from Peddocks Island (initial island approach), Acadia National Park in Maine, Medfield State Hospital in Medfield, MA, and the Rice Estate at Turner Hill Country Club in Ipswich, MA were combined via CGI to create the imagery of Shutter Island as a whole. The large mountainous area of the island seen during the ferry approach was added in post-production and does not exist, but the decaying brick buildings on the lowlands are real ruins from Peddocks Island.
The movie's US$40.2 million opening weekend take in the United States marked a career best for director Martin Scorsese.
The whispered line in Complex C ("Stop me before I kill more") is likely a reference to Williams Heirens, a suspected serial killer in Chicago in the 1940's.
# Co-stars Ted Levine and Patricia Clarkson both starred on the short-lived series "Wonderland" (2000), produced by Peter Berg, which was set at a mental institution in New York City.
Shortly (August 2009) before its original release in October 2009, the movie was pushed back to February 2010. It did, however, have a special "secret" screening at Austin's "Butt-Numbathon" film festival in December of 2009. Critics attended the screening but were asked not to release their reviews until the official release date.
When Paramount Pictures first developed this as a project for the director/star team of David Fincher and Brad Pitt, Mark Wahlberg was wanted for the opposite leading role (as this is a Boston-set story). However, Fincher and Pitt moved on to other commitments. Paramount almost signed on the star duo of Pitt and Wahlberg for another Boston-set drama, The Fighter (2010), a couple years later. Pitt eventually had to drop out of that project, as well.
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# This was originally commissioned as a directing vehicle for Wolfgang Petersen. However, there were considerable modifications made to Dennis Lehane's novel in order to create a more action-driven blockbuster.
Before settling on Mark Ruffalo for the role of Chuck Aule, Leonardo DiCaprio and Martin Scorsese also considered Robert Downey Jr. and Josh Brolin.
The movie's US$40.2 million opening weekend take in the United States marked a career best for director Martin Scorsese. It went on to gross over $293 million worldwide, making it the highest grossing film of his career.
The ball-point pen Teddy uses in the film is a Parker Jotter, it was released in 1954 (the year the film takes place) and was the first successful and reliable ball-point pen to hit the market, which quickly drove fountain pens into obsolescence. Over 3.5 million pens were sold that year and the Parker Jotter dominated the ball-point pen market during that decade.
Before settling on Mark Ruffalo for the role of Chuck Aule, Leonardo DiCaprio and Martin Scorsese also considered Robert Downey Jr. and Josh Brolin.
When Paramount Pictures first developed this as a project for the director/star team of David Fincher and Brad Pitt, Mark Wahlberg was wanted for the opposite leading role (as this is a Boston-set story). However, Fincher and Pitt moved on to other commitments. Paramount almost signed on the star duo of Pitt and Wahlberg for another Boston-set drama, The Fighter (2010), a couple years later. Pitt eventually had to drop out of that project, as well.
The traumatic killing of Nazi guards of Dachau concentration camp is a historical event, taking place on 29 April 1945 when the camp was liberated by the US Army.
There are several clues and intentional continuity errors throughout the film that foreshadow the ending. This includes a patient's drink of water disappearing between shots (she drinks from an empty hand), a cardigan appearing briefly on 'Rachel' (which is later worn by the other 'Rachel') and lines from Edward/Andrew's dreams being repeated (such as "Why are you wet, baby?"). These techniques are also used in his dreams showing a similarity between what he perceives as a dream and what he perceives as real.
It is shown in the movie that Andrew Laeddis is an anagram of Edward Daniels. It is also shown that Rachel Solando is an anagram of Dolores Chanal.
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