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Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging. I know that's the way Heath Ledger feels and Ben Affleck feels the same way, too. We want to take the big swings.


If your movies don't perform, they just stop calling you.


I found myself getting more publicly shy when the gala events and big crowds started. Some people embrace it. To me, it's not worth enough to risk my private life being public.


I'm not being a monk. I live my life in New York. I have a girlfriend (Luciana Barroso). But it's not cost-effective for paparazzi to follow us. They can get one picture of us walking down the street.


Now I feel I have an unspoken deal with the paparazzi: "I won't do anything publicly interesting if you agree not to follow me."


I'd love to be a dad. I hope I'd be great at it. That's every man's fear, yet his most important job.


(on The Bourne Ultimatum (2007)) We're all signed on in principle, in the sense that we've all agreed that we want to do it, but we're not going to do it unless we have a great script. It's ours to lose at the minute and, if we do make a third one, we want to make it as good as the first two. And if we can't do that, then we're going to have to let it drop.


(on The Bourne Ultimatum (2007)) If you have any ideas for a script, please, call Universal! We've gone so far from the book. (Robert Ludlum) wrote it as a trilogy and we've really kind of ignored that plot because it's very Cold War. And so, in the updating process, we kind of threw out most of what he had so we're kind of on our own to find a third one. "Bourne Ultimatum" is the third one and I feel like I've given ultimatums in both the first two!


If anybody wanted to photograph my life, they'd get bored in a day. "Here's Matt at home learning his lines. Here's Matt researching in aisle six of his local library". A few hours of that and they'd go home.


What I want to do is a character-driven porn movie. It's all going to be about characters, and the porn's gonna grow all out of the character's and it's going to serve as character development.


It's just better to be yourself than to try to be some version of what you think the other person wants.


There are people who appear in the magazines and I don't know who they are. I've never seen anything they've done and their careers are over already. They're famous for maybe 10 minutes. Real careers, I think, take a long time to unfold.


I'd had people say, "You'll enjoy being famous for a week, and you'll never enjoy it again". But I don't think I had that week. I may have been working and missed that moment.


Bond is part of the system. He's an imperialist and a misogynist, and he laughs at killing people, and he sits there slugging martinis. It'll never be the same thing as this, because Bourne is a guy who is against the establishment, who is paranoid and on the run. I just think fundamentally they're just very different things.


The Bond character will always be anchored in the 1960s and in the values of the 1960s. It's so anachronistic when you put it in the world we live in today that Mike Myers made a fortune with his own spy franchise (Austin Powers) - it makes for great comedy. Bond is an imperialist and a misogynist who kills people and laughs about it, and drinks martinis and cracks jokes. Bourne is a serial monogamist whose girlfriend is dead and he does nothing but think about her. He doesn't have the support of gadgets, and he feels guilty for what he's done.


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