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There's nothing I won't play. I won't draw the line at anything. Worrying about image is for celebrities, not actors. My concerns were more about not getting paid and whether we could make a compelling movie that people would go and see. I also knew it was gonna be a tough one to make, that it was really gonna suck. I had to go to a dark place. (On The Woodsman)

Ninety-five percent of celebrity is good.

I'd always tried not to worry about the size of the role or the size of the film.

As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.

If you're an actor, even a successful one, you're still waiting for the phone to ring.

It was one of the spookiest jobs I've ever had, but Alcatraz was not the problem. Most of the film was done in L.A. I'm in this four-by-six cell--wet, naked, covered in shit, live bugs in my hair, live rats chewing on my leg, Chained to the walls for a lot of it. Being beaten by Gary Oldman; of course, I can't think of anyone I would rather be beaten by. One day, it was four-thirty on a Monday morning, we'd been working all night, and the ground started shaking. We were right near the epicenter. It was a horrible experience. Here I was, naked, shackled in this cell, and just every day playing some new level of agony. It was the closest I'd ever come to losing it. I'd cry on the way to work. (On filming Murder in the First during the 1994 Northridge earthquake)

I have a natural swagger.

There are some actor secrets you keep sometimes, and you want to keep.

I've made three studio albums and one live one with my brother. It's melodic singer-songwriter acoustic-rock music.

There are two types of actors: performers and personalities.

I've heard people say you have to love the characters you play. I don't feel that way. I've played a lot of people that I don't love at all. What's important to me is to try to make them real.

I think of myself more as a workhorse actor. It will be hot and cold and up and down, but no one will kick me out of the business.

All roles are hard in different ways. Some are physical. Actually the hardest role physically I did was the Hollow Man and I was invisible in the movie. But it was incredibly, physically taxing and it got delayed. Murder in the First was both physically and emotionally terribly difficult.

(on playing a pedophile in The Woodsman (2004)) I don't have people who would advise me against this based on some sort of "image". At some point you have to decide if you're going to be a personality or you're going to be an actor. If playing this kind of a role could have a negative effect on my public personality, I don't care. I'll play anything, if I think there's something compelling, or there's a director I'm dying to work with, or a part I hadn't done before or a co-star I think is great.

The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.

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