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I'm always on tour, so that's something that goes on that's pretty constant. Seventy to 80 concerts a year. I'm on the road about 160 days a year.


I have tried, in all the ways I can, to make timeless music.


I have friends who've tried suicide many times and haven't succeeded. I myself made an attempt, so I had a connection with that sort of group of people who have tried suicide at one time in their lives.


I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.


For many centuries, suicides were treated like criminals by the society. That is part of the terrible legacy that has come down into society's method of handling suicide recovery. Now we have to fight off the demons that have been hanging around suicide for centuries.


I wrote a song called walls with my husband, Louis Nelson, who designed the new Korean Veteran's Memorial Wall on the Mall in Washington, D.C.


Writing anything is terribly hard but, alas for me, because I am addicted, a heck of a lot of fun. I often am sorry I ever started writing prose, because it is so hard. But I can't stop.


I feel so very grateful to have the voice God gave me. It takes a lot of rest and training to sing, and I was lucky that I found a great teacher when I first moved to New York.


I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.


I write journals and would recommend journal writing to anyone who wishes to pursue a writing career. You learn a lot. You also remember a lot... and memory is important.


I sang in the coffee houses of the country in the early '60s with no idea of success in terms of records or television. I just thought I was a storyteller. I didn't even think of myself as a singer.


My book Trust Your Heart, which is the story of my life, will be followed by Singing Lessons, a memoir of love, loss, hope, and healing, which talks about the death of my son and the hope that has been the aftermath of the healing from that tragedy.


I had some wonderful dreaming meetings. I can't tell you specifically what they've been in the recent months. In the past they've been verbal kinds of messages that he needed to give me. Now they're more dreams of his presence.


If I had not been already been meditating, I would certainly have had to start. I've treated my own depression for many years with exercise and meditation, and I've found that to be a tremendous help.


Most of what we take as being important is not material, whether it's music or feelings or love. They're things we can't really see or touch. They're not material, but they're vitally important to us.


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