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(on why she chose to be an actress) I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand (myself), I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.


When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.


I've only been in long-term relationships. I've never really dated myself.


I'm so happy when I'm working.


I'd watch my parents work and think, 'Yeah, I'm going to do that.' It wasn't even a thing. It's the only thing I know how to do.


I love doing improv. I love comedy. I have always felt this way, even when I was really young.


(on receiving the call she was cast as Anastasia Steele) They said 'You got the offer' and I couldn't speak. I was just so relieved. I was crying and crying. Water was literally squirting out of my eyes because I had been so stressed out. And there's this giant Doberman Pincher laying on the bed next to me. And he just slowly fell asleep. It was so special and (this dog) didn't give a fuck about me and what I was going through.


I didn't have any training in comedy or in improvisation. It was sort of scary at first, because it's a big thing to be working with those guys, because they are like the funniest people around right now. But once I got a handle on the way that they work, it was just so much fun. They improvised on 21 Jump Street as well. I went straight from The Five-Year Engagement to 21 Jump Street, so I had a bit of a handle on how to work with these guys.


(on using improv techniques for The Five-Year Engagement) Nicholas Stoller and Jason Segel told me about what they wanted the base of this character to be, and then they gave me a lot of free range to do what I wanted. Obviously they use improv a lot, so I was pretty much able to create this character and make her really weird, annoying, and abrasive.


(on being asked about her family) It's not necessarily annoying. I've come to understand the allure of that to other people, how it seems so interesting and different. But for me it's just my family, it's the way I grew up and it's my mom and my dad. It doesn't really bother me because I get it, but sometimes it's kind of a drag to talk about. People ask me about my grandmother (Tippi Hedren) a lot, too.


(on Fifty Shades of Grey) I just really understand it. I think it's an incredible love story and that's why it's affected so many people. Erica (EL James) did a really good job of explaining how that just can happen sometimes and you have this chemical pull to someone. Adding in the sex makes it perfect. Sometimes you feel a little bit naughty and that's okay.


(reading Fifty Shades of Grey) Reading the book, I found myself more interested in the ways they were breaking each other down emotionally than the sex scenes. I think there's a part of a woman that wants to be the thing that breaks a man down.


(on preparing to be Anastasia Steele) It's a lot of getting into the character's head, Ana's headspace, kind of before she meets Christian. So it's a lot of reading, which I love, but she's an English major, so that's kind of boring.


(on Ben and Kate) I think that we're trying to bring back the idea of family being really important, instead of just having a TV show about funny people doing funny things all the time.


(on growing up with famous parents) I think people, especially the press, like to pick on children of famous people and I think that's fucking awful. Things get made up. It's so, so sad. And there's absolutely nothing you can do about it as a 16-year-old. You're like, Why? What did I do?


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