Stagecraft

Theatrical scenic painting includes wide-ranging disciplines, encompassing virtually the entire scope of painting and craft techniques. An experienced scenic painter (or scenic artist) will have skills in landscape painting, figurative painting, trompe-l'œil, and faux finishing, and be versatile in different media such as acrylic, oil, and tempera paint. The painter might also be accomplished in three-dimensional skills such as sculpting, plasterering and gilding. To select the optimal materials, scenic painters must also have knowledge of paint composition.

Stage machinery are the mechanical devices used to create special effects in theatrical productions.

Electrical lighting technicians (ELT) or simply lighting tech., are involved with rigging stage and location sets and controlling artificial, electric lights for art and entertainment venues (theatre or live music venues) or in video, television, or film production.

A technical director (TD) is usually a senior technical person within e.g. a software company, engineering firm, film studio, theatre company or television studio. This person usually has the highest level of skill within a specific technical field.

Scenography (inclusive of scenic design, lighting design, sound design, costume design) is a practice of crafting stage environments or atmospheres.. In the contemporary English usage, scenography is the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance. While inclusive of the techniques of scenic design and set design, scenography is a holistic approach to the study and practice of all aspects of design in performance.

Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.

A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Consumable food items appearing in the production are also considered props.

A theatre lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text, while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a Lighting Designer can be much more diverse and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.

A fly system, or theatrical rigging system, is a system of rope lines, blocks (pulleys), counterweights and related devices within a theater that enables a stage crew to fly (hoist) quickly, quietly and safely components such as curtains, lights, scenery, stage effects and, sometimes, people. Systems are typically designed to fly components between clear view of the audience and out of view, into the large opening, known as the fly loft, above the stage.

Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use.