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Society of the interwar period

This list has 3 sub-lists and 3 members. See also Social history, Interwar period
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Roaring Twenties
Roaring Twenties 7 L, 11 T
  • Radio Times
    Radio Times British weekly listings magazine for radio, television and film reviews
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    rank #1 · 2
    Radio Times is a British weekly listings magazine devoted to television and radio programme schedules, with other features such as interviews, film reviews and lifestyle items. Founded in September 1923 by John Reith, then general manager of the British Broadcasting Company, it was the world's first broadcast listings magazine. In September 2023 it became the first broadcast listings magazine to reach and then pass its centenary.
  • Harlem Renaissance
    Harlem Renaissance African-American cultural movement in New York City in the 1920s
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    rank #2 ·
    The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
  • Neoclassicism (music)
    Neoclassicism (music) twentieth-century movement in music
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    rank #3 ·
    Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music.
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