Revues

Moulin Rouge! The Musical is a jukebox musical with a book by John Logan. The musical is based on the 2001 film Moulin Rouge! directed by Baz Luhrmann and written by Luhrmann and Craig Pearce.

Hellzapoppin is a musical revue written by the comedy team of Olsen and Johnson, consisting of John "Ole" Olsen and Harold "Chic" Johnson, with music and lyrics by Sammy Fain and Charles Tobias. The revue was a hit, running for over three years, and was at the time the longest-running Broadway musical, with 1,404 performances, making it one of only three plays to run more than 500 performances in the 1930s.

Two's Company is a musical revue with principal sketches by Charles Sherman and Peter DeVries, principal lyrics by Ogden Nash and Sammy Cahn, and principal music by Vernon Duke.

Jersey Boys is a jukebox musical with music by Bob Gaudio, lyrics by Bob Crewe, and book by Marshall Brickman and Rick Elice. It is presented in a documentary-style format that dramatizes the formation, success and eventual break-up of the 1960s rock 'n roll group The Four Seasons. The musical is structured as four "seasons", each narrated by a different member of the band who gives his own perspective on its history and music. Songs include "Big Girls Don't Cry", "Sherry", "December 1963 (Oh, What A Night)", "My Eyes Adored You", "Stay", "Can't Take My Eyes Off You", "Working My Way Back to You" and "Rag Doll", among others. The title refers to the fact that the members of The Four Seasons are from New Jersey.

Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'".

Beyond the Fringe was a British comedy stage revue written and performed by Alan Bennett, Peter Cook, Jonathan Miller, and Dudley Moore. It debuted at the 1960 Edinburgh Festival and went on to play in London's West End and then in America, both on tour and on New York's Broadway in the early 1960s. Hugely successful, it is widely regarded as seminal to the "satire boom", the rise of satirical comedy in 1960s Britain.

George White's Scandals were a long-running string of Broadway revues produced by George White that ran from 1919–1939, modeled after the Ziegfeld Follies. The "Scandals" launched the careers of many entertainers, including W. C. Fields, the Three Stooges, Ray Bolger, Helen Morgan, Ethel Merman, Ann Miller, Eleanor Powell, Bert Lahr and Rudy Vallée. Louise Brooks, Dolores Costello, Barbara Pepper, and Alice Faye got their show business start as lavishly dressed (or underdressed) chorus girls strutting to the "Scandal Walk." Much of George Gershwin's early work appeared in the 1920–24 editions of Scandals. The Black Bottom, danced by Ziegfeld Follies star Ann Pennington and Tom Patricola, touched off a national dance craze.

The Chocolate Dandies was a name used by a number of different jazz ensembles in the United States from the 1920s into the 1940s.

The Ziegfeld Follies of 1936 is a musical revue with lyrics by Ira Gershwin, music by Vernon Duke and sketches by Gershwin and David Freedman. The Ziegfeld Follies were a series of revues presented from 1907 through 1931, 1934, 1936, 1943, and 1957.

The Mad Show is an Off-Broadway musical revue based on Mad Magazine. The music is by Mary Rodgers, the book by Larry Siegel and Stan Hart. The show's various lyricists include Siegel, Marshall Barer, Steven Vinaver, and Stephen Sondheim.