Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Broadway theatre, also known simply as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway, together with London's West End, represent the highest commercial level of live theater in the English-speaking world.

Joanna Ampil is a musical theatre and film actress from the Philippines and United Kingdom.

A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.

The Tony Award for Best Musical is given annually to the best new Broadway musical, as determined by Tony Award voters. The award is one of the ceremony's longest-standing awards, having been presented each year since 1949. The award goes to the producers of the winning musical. A musical is eligible for consideration in a given year if it has not previously been produced on Broadway and is not "determined... to be a 'classic' or in the historical or popular repertoire", otherwise it may be considered for Best Revival of a Musical.

Porgy and Bess is an English-language opera composed in 1934 by George Gershwin, with a libretto written by DuBose Heyward and Ira Gershwin from Heyward's novel Porgy and later play of the same title. Porgy and Bess was first performed in New York City on September 30, 1935, and featured an entire cast of classically trained African-American singers—a daring artistic choice at the time. After suffering from an initially unpopular public reception due in part to its racially charged theme, the Houston Grand Opera production of the opera in 1976 gained it new popularity, eventually becoming one of the best-known and most frequently performed operas.

A cast recording is a recording of a stage musical that is intended to document the songs as they were performed in the show and experienced by the audience. An original cast recording or OCR, as the name implies, features the voices of the show's original cast. A cast recording featuring the first cast to perform a musical in a particular venue is known, for example, as an "original Broadway cast recording" (OBCR) or an "original London cast recording".

The Book of Mormon is a religious satire musical with book, lyrics, and music by Trey Parker, Robert Lopez, and Matt Stone. Best known for creating the animated comedy South Park, Parker and Stone co-created the music with Lopez, a co-composer/co-lyricist of Avenue Q and Frozen. The Book of Mormon tells the story of two young Mormon missionaries sent to a remote village in northern Uganda, where a brutal warlord is threatening the local population. Naïve and optimistic, the two missionaries try to share the Book of Mormon, one of their scriptures—which only one of them has read—but have trouble connecting with the locals, who are more worried about war, famine, poverty, and AIDS than about religion.

The important place of women in dance can be traced back to the very origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the Middle Ages, what has become known as ballet had its beginnings in Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the Paris Opera produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of Romantic ballet in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of Marius Petipa, appearing in theatres across Europe from Milan's La Scala to the Mariinsky Theatre in Saint Petersburg. More recently, women have played a leading role in developing various forms of modern dance including flamenco and expressionist dance.

Gaiety Girls were the chorus girls in Edwardian musical comedies, beginning in the 1890s at the Gaiety Theatre, London, in the shows produced by George Edwardes. The popularity of this genre of musical theatre depended, in part, on the beautiful dancing corps of "Gaiety Girls" appearing onstage in bathing attire and in the latest fashions. The 1890s Gaiety Girls were respectable, elegant young ladies, unlike the corseted actresses from London's earlier musical burlesques. Later, even the stars of these musical comedies were referred to as Gaiety Girls.