Painters from Ghent

Lucas Horenbout, often called Hornebolte in England (c. 1490/1495–1544), was a Flemish artist who moved to England in the mid-1520s and worked there as "King's Painter" and court miniaturist to King Henry VIII from 1525 until his death. He was trained in the final phase of Netherlandish illuminated manuscript painting, in which his father Gerard was an important figure, and was the founding painter of the long and distinct English tradition of portrait miniature painting. He has been suggested as the Master of the Cast Shadow Workshop, who produced royal portraits on panel in the 1520s or 1530s.

Philippe Vandenberg (1952–2009) was a Belgian painter.

Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduced important innovations in painting through his monumental style, use of a specific colour range and individualistic manner of portraiture. From 1483 onwards, the presence of his masterpiece, the Portinari Triptych, in Florence played a role in the development of realism and the use of colour in Italian Renaissance art.

Gerard Horenbout (c. 1465–c. 1541) was a Flemish miniaturist, a late example of the miniature tradition in Early Netherlandish painting. He is "likely and widely accepted" to be the Master of James IV of Scotland.

Ernest Faut (Ghent, January 27, 1879 - Leuven, October 17, 1961) was a Flemish - Belgian painter. He was a draftsman, painter and lithographer of decorative works, landscapes, interiors, psychological portraits, religious scenes, churches and beguinages.

Frans Cuyck Van Myerop (ca. 1640, Bruges – 1689, Ghent), was a Flemish Baroque painter.

Louis Tytgadt or Tijtgadt (1841–1918) was a Belgian painter.