Greek art

Lydia Venieri (born 1964) is a Greek artist, and a descendant of the Greek branch of the House of Venier.

Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Mummy portraits or Fayum mummy portraits are a type of naturalistic painted portrait on wooden boards attached to upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. The Fayum portraits are the only large body of art from that tradition to have survived. They were formerly, and incorrectly, called Coptic portraits.

Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods (with further developments during the Hellenistic Period). It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism (with the invigoration of the Greek Revolution), until the Modernist and Postmodernist. Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making.

Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.

Archaic Greece was the period in Greek history lasting from c.to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, the Greeks settled across the Mediterranean Sea and the Black Sea: by the end of the period, they were part of a trade network that spanned the entire Mediterranean.

The Emfietzoglou Gallery Museum is an art gallery in Athens, Greece. It is sited in Marousi near the Athens Metro station. Its founder Prodromos Emfietzoglou gave his private art collection of over 500 works to the public.

The Teloglion Fine Arts Foundation (formerly known in English as Teloglion Foundation of Art; Greek: Τελλόγλειο Ίδρυμα Τεχνών) is an art museum located in Thessaloniki, Central Macedonia, Greece.

The Athens School of Fine Arts (ASFA) (Greek: Ανωτάτη Σχολή Καλών Τεχνών), is Greece's premier art school whose main objective is to develop the artistic talents of its students.

Madre della Consolazione is a tempera painting created by Greek painter Nikolaos Tzafouris. Tzafouris was active during the second half of the 15th century. He was a prominent member of the Cretan School. He was influenced by Angelos Akotantos. The painter was exposed to works of Giovanni Bellini. At some point, he traveled to Venice and studied painting in the city. He is considered one of the most important painters because he introduced two prototypes that were mass produced by Cretan workshops. The painter is attributed with starting the specific style on the island of Crete. Most historians refer to the style as the Italian style Madonna in comparison to its Greek counterparts. Madre della Consolazione is very important because it served as a prototype for workshops on the island and it was heavily copied. Famous Greek painter Nikolaos Gripiotis and his contemporaries mass-produced the prototype. It is very difficult to attribute unsigned works because the prototype was mass-produced.