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Cinema of Germany

The list "Cinema of Germany" has been viewed 12 times.
This list has 22 sub-lists and 20 members. See also Cinema by country, Cinema of Europe by country, Mass media in Germany, Arts in Germany, Entertainment in Germany
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German films
German films 33 L, 5,249 T
Films set in Germany
Films set in Germany 17 L, 607 T
German animation
German animation 5 L, 1 T
  • Fern Andra
    Fern Andra Actress
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    rank #1 · WDW 25 2
    Fern Andra, Dowager Baroness von Weichs (born Vernal Edna Andrews, November 24, 1893 – February 8, 1974) was an American actress, film director, script writer, and producer. Next to Henny Porten and Asta Nielsen, she was one of the most popular and well known actresses in German silent film.
  • Eurospy film
    Eurospy film Genre of spy films
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    Eurospy film, or Spaghetti spy film (when referring to Italian-produced films in the genre), is a genre of spy films produced in Europe, especially in Italy, France, and Spain, that either sincerely imitated or else parodied the British James Bond spy series feature films. The first wave of Eurospy films was released in 1964, two years after the first James Bond film, Dr. No, and in the same year as the premiere of what many consider to be the apotheosis of the Bond series, Goldfinger. For the most part, the Eurospy craze lasted until around 1967 or 1968. In Italy, where most of these films were produced, this trend replaced the declining sword-and-sandal genre.
  • Oskar Messter
    Oskar Messter German cinema pioneer
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    rank #3 ·
    Oskar Messter (21 November 1866 – 6 December 1943) was a German inventor and film tycoon in the early years of cinema. His firm Messter Film was one of the dominant German producers before the rise of UFA, into which it was ultimately merged.
  • Charlie Woebcken German film producer
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    rank #4 ·
    Carl "Charlie" Woebcken, born in 1956, is a German film producer and President/CEO of Studio Babelsberg AG and Managing Director of the production service subsidiary Studio Babelsberg Motion Pictures as well as Babelsberg Film.
  • Nazism and cinema Nazi influence on film between 1933–1945
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    rank #5 ·
    Nazism created an elaborate system of propaganda, which made use of the new technologies of the 20th century, including cinema. Nazism courted the masses by the means of slogans that were aimed directly at the instincts and emotions of the people. The Nazis valued film as a propaganda instrument of enormous power. The interest that Adolf Hitler and his propaganda minister Joseph Goebbels took in film was not only the result of a personal fascination. The use of film for propaganda had been planned by the National Socialist German Workers Party as early as 1930, when the party first established a film department.
  • Progress Film German film company
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    rank #6 ·
    Progress Film is a German film distributor. It was established in 1950 to handle the release of films produced by DEFA, the state-controlled production outfit of communist East Germany. Since 1989 Progress distributes the entire DEFA film collection.
  • DEFA Film Library
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    rank #7 ·
    The DEFA Film Library at the University of Massachusetts Amherst is the only archive and research center outside of Germany devoted to a broad spectrum of filmmaking from and related to the former East Germany (German Democratic Republic - GDR). DEFA was the state owned film company of the GDR. The non-profit organization houses an extensive collection of 35mm and 16mm prints, dcps, DVDs, books, periodicals and articles. Students are involved in all aspects of the archive's research, outreach and teaching activities and also gain valuable non-academic experience in subtitling and library, conference and arts management. In order to fulfill its dual mission—to make DEFA films available and better known, and to broaden understanding of filmmaking in the GDR by interdisciplinary critical scholarship—the DEFA Film Library undertakes a range of scholarly and support activities.
  • Non-narrative film aesthetic of cinematic film
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    rank #8 ·
    Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
  • Cinema of Germany
    Cinema of Germany Film and television industry in the Federal Republic of Germany
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    rank #9 ·
    The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Early German and German-speaking filmmakers and actors heavily contributed to early Hollywood.
  • Max Nivelli
    Max Nivelli Person
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    rank #10 ·
    Max Nivelli (January 1, 1878 - February 27, 1926) was a film producer in Berlin during the Weimar Republic era. He was among the first to examine the issues of anti-Semitism and prejudice in his films. Nivelli died at an early age (48) and worked in the film industry for less than 10 years, yet he produced 19 films, most of them full-length feature films. As most films of that era, his films were silent, black-and-white and shot on celluloid. Only his last film - "Unity, Justice and Freedom", has so far been found, restored and digitized.
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