1979 works

The Dinner Party is an installation artwork by American feminist artist Judy Chicago. There are 39 elaborate place settings on a triangular table for 39 mythical and historical famous women. Sacajawea, Sojourner Truth, Eleanor of Aquitaine, Empress Theodora of Byzantium, Virginia Woolf, Susan B. Anthony, and Georgia O'Keeffe are among the symbolic guests.

Picture for Women is a photographic work by Canadian artist Jeff Wall. Produced in 1979, Picture for Women is a key early work in Wall's career and exemplifies a number of conceptual, material and visual concerns found in his art throughout the 1980s and 1990s. An influential photographic work, Picture for Women is a response to Édouard Manet's Un bar aux Folies Bergère and is a key photograph in the shift from small-scale black and white photographs to large-scale colour that took place in the 1980s in art photography and museum exhibitions. It is the subject of a monographic book written by David Campany and published as part of Afterall Books' One Work series.

Molotov Man is a photograph taken by Susan Meiselas during the 1979 Nicaraguan Revolution. Famous in its Nicaraguan context as a symbol of the Sandinista revolution, it has been widely reproduced and remixed.

The Miró Wall is a ceramic tiled wall designed by Spanish artist Joan Miró for the Wilhelm Hack Museum in Ludwigshafen, Germany. The wall, which comprises 7,200 tiles, is 55 metres (180 ft) wide and 10 metres (33 ft) high.